Промт на фотосессию: человек в прозрачной воде с акулами сверху, кинематографичная фотосессия через нейросеть ИИ — AiHere

Промт на фотосессию: человек в прозрачной воде с акулами сверху, кинематографичная фотосессия через нейросеть ИИ

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Реалистичная кинематографичная фотосессия человека в прозрачной бирюзовой воде океана, снятая сверху, где вокруг спокойно стоящей фигуры в воде кружат акулы и небольшие рыбы, с красивыми солнечными бликами, детализированной кожей и фотореалистичной генерацией фото ии через нейросеть.
Готовый промт
The uploaded image is used as a strict visual reference for the person’s face, body proportions, skin tone, hair appearance and overall likeness. Do not alter or invent facial features or physical traits. Create a high-end cinematic editorial photograph. Composition: Top-down perspective. Camera positioned directly above the subject. Square or slightly vertical frame. The human figure is centered but surrounded by movement. Multiple sharks are swimming around the subject at different distances. Sharks overlap the frame edges, partially cropped, creating depth and tension. No symmetry in placement; organic, natural spacing. Subject & pose: The subject is standing in shallow, clear ocean water. Upper body above the water surface. Arms relaxed and slightly bent at the sides. Body facing upward toward the camera. Head tilted slightly up. Posture calm, grounded, controlled. Expression is calm, soft smile, eyes closed. Environment: Crystal-clear turquoise water. Sunlight creates strong caustic light patterns on the water surface and on the body. Water surface slightly disturbed around the subject. Sharks are fully submerged, visible through the water. Water clarity allows sharp visibility of silhouettes and textures. Marine life: Several medium-sized sharks swimming around the subject. Sharks are visible from above, their bodies partially distorted by water refraction. In addition to sharks, multiple small fish are present throughout the frame. Small fish are scattered unevenly, swimming in different directions. Some fish are closer to the surface, others deeper, creating depth and scale. The water contains visible movement from both sharks and small fish. No single species dominates the frame completely. Lighting: Strong natural sunlight from above. High contrast between highlights and shadows. Bright reflections on the water surface. Deep shadows under the sharks’ bodies. Light patterns ripple across skin and water. No artificial lighting. Clothing: The subject is bare-chested. No top clothing. Upper body fully exposed above the water. Only minimal swimwear may be present below the waterline but is not visible and must not be emphasized. No shirts, no jackets, no additional garments. The focus is on the natural body interacting with water and light. Color & mood: Cool turquoise and cyan tones dominate the frame. Warm skin tones contrast against the water. Sharks appear dark, muted, almost black-brown. Overall color grading is rich, saturated, cinematic. High contrast, no haze, no pastel tones. Camera & optics: Editorial photography style. Wide-angle lens look. Deep depth of field. Sharp focus across the entire frame. No motion blur. Retouching: Minimal, realistic retouching. Skin texture preserved. Natural water texture preserved. No smoothing or artificial effects. No fantasy or surreal alterations.
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