Промт фотосессии: тёмная мифологическая сцена мужчины с чёрными перьями и женщиной в чёрном

Create an ultra-realistic live-action cinematic fashion portrait inspired by a dark intimate mythological scene. IMPORTANT Real photographed image only, not illustration, CGI, digital painting, or concept art. Real skin, hair, fabric, feathers, and realistic lighting. No plastic skin, no over-smoothing, no painterly rendering. COMPOSITION Vertical frame, medium shot, less close than a tight portrait. The man stands foreground, back pressed close against the woman. His body is angled diagonally through the frame. The woman stands directly behind him, close to one side of his neck and shoulder. The man leans backward into her presence. His head tilts back and slightly upward, exposing the neck and jawline. His eyes are closed. His expression feels tense, overwhelmed, surrendered, and silent. The woman leans toward the side of his neck, almost touching him. One of her hands covers part of his forehead and eyes from behind. The other hand grips the side of his jaw and throat. Her fingers are tense and controlled. The pose feels intimate, predatory, restrained, cinematic. WOMAN She wears a very tight sleeveless black dress. The dress hugs the body closely with a sleek high-fashion silhouette. Use matte stretch silk, coated satin, or dense jersey. No sleeves. No loose fabric. No cheap costume look. Her hair is loose and falling over her shoulders and back. The hair should feel real, heavy, slightly messy, with visible strands and natural movement. Her arms and hands are covered in black substance from fingertips to shoulders. It spreads across her neck, collarbones, and parts of her hair. It should look thick, wet, glossy, and tactile, like black oil or liquid ink. The black material clings to skin with wet highlights, uneven edges, streaks, smears, and drips. Some strands of hair stick together from the substance. No flat painted black effect. MAN Athletic male figure with bare upper torso and black trousers. He wears simple black pants with realistic folds, waistband detail, and fabric weight. His torso is partly overtaken by black feathers. FEATHERS ON MAN Black feathers naturally emerge and fall from the man’s body. The feathers must not look decorative or glued on. Most feather mass is around the lower torso, waist, hips, lower back, and upper thighs, blending into the black trousers. Smaller clusters spread upward across ribs, spine, shoulders, and arms. Some feathers detach and drift downward through the frame. Feathers vary in size and condition: small down, medium layered feathers, long curved feathers, broken feathers, slightly curled edges, frayed barbs, irregular worn pieces. Show bare skin between feather clusters. The transition between skin and feathers should feel organic, dark, and believable. LIGHTING High-contrast cinematic lighting. One strong side light sculpts the faces, hands, torso, feathers, black substance, and dress. Deep shadows dominate the opposite side. Wet black substance catches sharp glossy highlights. Feathers catch selective edge light while much of them disappear into shadow. The image should feel darker, more dramatic, more expensive, and cinematic. BACKGROUND Minimal dark neutral background. No white backdrop. No environment clutter. Use deep charcoal, black, or near-black gray. COLOR GRADING Dark cinematic grading. Warm skin tones against matte black feathers, black dress, black trousers, and glossy black substance. High contrast, low saturation, rich blacks. TEXTURE AND REALISM Visible skin pores. Real hair strands. Wet glossy black substance with thickness and streaking. Feather barbs and frayed edges visible. Dress texture visible. Trouser fabric weight and folds visible. No plastic skin. No painted feather texture. CAMERA Shot like a premium live-action fashion film still. Lens 85mm Aperture f/3.2 ISO 400 Shutter speed 1/160 Vertical frame Medium shot Sharpest focus on faces, hands, neck, black substance, torso, and feather texture. No excessive blur. No smeared details